Evo 4 by Audient

Name: Evo 4 by Audient
SKU: Evo 4 audient
Price: 12900.00 INR
Availability: OutOfStock

SKU: Evo 4 audient

MRP:

₹14,500.00

₹12,900.00

11% Off

(Inclusive of all taxes)

2in/2out USB-C Audio Interface with remote controllable preamps, Smart Gain, JFET Di, Smart Touch Points and class leading AD/DA converters Capture your microphones and instruments and start recording audio directly to your computer with EVO 4’s intuitive feature set. Combining leading tech specs with incredible performance and sound quality, EVO 4 is the perfect interface for beginners and pros alike. Capture creativity fast Whether recording your latest track, producing a beat, or creating a podcast, get your ideas down fast with EVO 4’s advanced and versatile feature set. EVO 4’s innovative technical design ensures you will get professional quality recordings from the start. Get the most from your microphones with the clean, warm and accurate EVO preamps – offering 58dB of gain range. Hear your recordings more accurately than ever with 113dB of dynamic range Plug your guitar or bass straight in through the JFET instrument input and start recording instantly. Take control of EVO 4’s hardware with the EVO Control app. Quickly set and monitor your levels, mute microphones or even activate Smartgain straight from your computer. Control recording sessions on the fly Effortlessly adjust levels, mute mics and set volume Dedicated input metering

More Information

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Price in points: 12900

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Description

Microphone Preamplifier

Mic Gain Range:	58dB
Line Gain Range:	58dB (-10dB pad)
Phantom Power:	48v +/-4v @ 10mA/Channel
Mic EIN:	<-128dBu
CMRR:	>85dB @ 1kHz
Maximum Input Level:	+16dBu
Input Impedance (Mic):	>3kΩ Balanced
Input Impedance (Line):	>10kΩ Balanced
Frequency Response:	+/-0.5dB 10Hz to 40kHz
Crosstalk:	<-105dBu @ 1kHz & 10kHz
THD+N @ 0dBu (1kHz):	<0.0015%
SNR:	100dB
XLR:	Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4” Jack:	TIP (Hot), RING (Cold) & SLEEVE (Shield)

D.I

D.I Gain Range:	58 dB
Maximum Input Level:	+10dBu
Input Impedance:	1MegΩ Unbalanced
Frequency Response	+/-0.5dB 10Hz to 20kHz
THD+N @ 0dBu (1kHz):	<0.3%
SNR:	100dB
1/4” Jack:	TIP (Hot) & SLEEVE (Shield)

ADC Inputs

Digital Reference Level:	0dBFS = +8dBu
Frequency Response:	+/-0.5dB 10Hz to Fs/2
Crosstalk:	-105dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):	<0.001%
Dynamic Range:	113dB A-weighted

DAC Outputs

Maximum Output Level:	+11dBu
Digital Reference Level:	0dBFS = +11dBu
Output Impedance:	<100Ω Balanced
Frequency Response:	+/-0.5dB 10Hz to Fs/2
Crosstalk:	<-110dBu @ 1kHz
THD+N @ -1dBFS (1kHz):	<0.0015%
Dynamic Range:	113dB A-weighted
1/4” Jack:	TIP (Hot), RING (Cold) & SLEEVE (Shield)

Headphone Output

Output Impedance:	<50Ω
Frequency Response:	+/-0.5dB 10Hz to Fs/2
Crosstalk:	-110dBu @ 1kHz
THD+N @ -1dBFS (1kHz):	<0.0015%
Dynamic Range:	113dB A-weighted
Max Level Into 30ohms:	+0.5dBu, 0.0025% THD+N, 1.16Vpk Power: 45mW
Max Level Into 60ohms:	+4.22dBu, 0.0015% THD+N, 1.78Vpk Power: 52mW
Max Level Into 600ohms:	+10.1dBu, 0.0018% THD+N, 3.52Vpk Power: 20mW
1/4” Jack:	TIP (Left), RING (Right) & SLEEVE (Shield)

DSP Mixer Roundtrip Latency:

(in to out)

44.1 kHz	0.594ms
48.0 kHz	0.552ms
88.2 kHz	0.302ms
96.0 kHz	0.281ms

DAW Playback Latency

@ 32 Sample Buffer for Software Instrument Playback

44.1 kHz	~2.5ms
96.0 kHz	~2ms

DAW Roundtrip Software Monitoring Latency

@ 32 Sample Buffer (in to out)

44.1 kHz	5ms
96.0 kHz	4.1ms

Latency – performance may vary as stability at these low buffer sizes is dependant on many factors including CPU load, operating system and performance of other drivers.

USB 2.0 High Speed

No. Of Input Channels	2 Analogue
No. Of Output Channels	2 Digital
Connector:	USB Type-C
Included Cables:	1m USB 2.0 Type-C to USB Type-A

Weight & Dimensions

Weights:	Unit:	360g
	Packaged:	600g
Dimensions:	Unit:	140mm (w) x 67mm (h) x 67mm (d)
	Packaged:	172mm (w) x 88mm (h) x 97.5mm (d)

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PRODUCT INFORMATION

The main difference between cutaway and non-cutaway guitars is in their body shape. Cutaway guitars have a section removed from the body, making it easier to access higher frets, which is great for lead playing. However, this design can slightly reduce resonance and volume. Non-cutaway guitars retain a full body shape, which often produces a fuller, richer sound due to the increased wood mass. While they may be harder to play in the higher fret range, they offer better tonal quality. Choosing between the two depends on your playing style and whether you prioritize accessibility or sound quality.

GENERAL FAQs

Yes, transacoustic guitars tend to be more expensive than regular acoustic guitars. The additional technology that allows them to produce effects without external equipment increases the cost. However, prices vary depending on the brand, model, and features offered.